Frankie Lee Sims - Texas Country Bluesman

A traditionalist who was a staunch member of the Texas country blues movement of the late '40s and early '50s (along with the likes of his cousin Lightnin' Hopkins, Lil' Son Jackson, and Smokey Hogg), guitarist Frankie Lee Sims developed a twangy, ringing electric guitar style that was irresistible on fast numbers and stung hard on the downbeat stuff.

Sims picked up a guitar when he was 12 years old. By then, he had left his native New Orleans for Marshall, TX. After World War II ended, he played local dances and clubs around Dallas and crossed paths with T-Bone Walker. Sims cut his first 78s for Herb Rippa's Blue Bonnet Records in 1948 in Dallas, but didn't taste anything resembling regional success until 1953, when his bouncy "Lucy Mae Blues" did well down south.

The guitarist recorded fairly prolifically for Los Angeles-based Specialty into 1954, then switched to Johnny Vincent's Ace label (and its Vin subsidiary) in 1957 to cut the mighty rockers "Walking with Frankie" and "She Likes to Boogie Real Low," both of which pounded harder than a ballpeen hammer.

Sims claimed to play guitar on King Curtis's 1962 instrumental hit "Soul Twist" for Bobby Robinson's Enjoy label, but that seems unlikely. It is assumed that he recorded for Robinson in late 1960 (the battered contents of three long-lost acetates emerged in 1985 on the British Krazy Kat label).

Sims mostly missed out on the folk-blues revival of the early '60s that his cousin Lightnin' Hopkins cashed in on handily. When he died at age 53 in Dallas of pneumonia, Sims was reportedly in trouble with the law due to a shooting incident and had been dogged by drinking problems. ~ Bill Dahl, All Music Guide. Similar Artists:
Andrew "Smokey" Hogg, Melvin "Lil' Son" Jackson, Forest City Joe Influenced By:
Lightnin' Hopkins, T-Bone Walker, Blind Lemon Jefferson, John Lee Hooker

* Born: April 30, 1917, New Orleans, LA
* Died: May 10, 1970, Dallas, TX
* Active: '40s, '50s, '60s
* Genres: Blues
* Instrument: Vocals, Guitar
* Representative Albums: "Lucy Mae Blues," "Walking with Frankie"
* Representative Songs: "Lucy Mae Blues," "She Likes to Boogie Real Low," "Walkin' With Frankie"

Blind Lemon Jefferson - Father of Texas Blues

Blind" Lemon Jefferson (September 24, 1893 – December 1929) was an influential blues singer and guitarist from Texas. He was one of the most popular blues singers of the 1920s, and has been titled "Father of the Texas Blues."His musical style was individualistic, and Jefferson's singing and self-accompaniment were distinctive as a result of his high-pitched voice and originality on the guitar.[6] He was not influential on some younger blues singers of his generation, as they did not seek to imitate him as they did other commercially successful artists.[7] However, later blues and rock and roll musicians attempted to imitate both his songs and his musical style.Jefferson was born blind near Coutchman, Texas in Freestone County, near present-day Wortham, Texas.[3] Jefferson was one of eight children born to sharecroppers Alex and Clarissa Jefferson.[3] Disputes regarding his exact birth date derive from contradictory census records and draft registration records. By 1900, the family was farming southeast of Streetman, Texas, and Lemon Jefferson's birth date is indicated as September 1893 in the 1900 census.Jefferson began playing the guitar in his early teens, and soon after he began performing at picnics and parties.[3] He also became a street musician, playing in East Texas towns in front of barbershops and on corners.By the early 1910s, Jefferson began traveling frequently to Dallas, where he met and played with fellow blues musician Leadbelly.[13] In Dallas, Jefferson was one of the earliest and most prominent figures in the blues movement developing in Dallas' Deep Ellum area. Jefferson likely moved to Deep Ellum in a more permanent fashion by 1917, where he met Aaron Thibeaux Walker, also known as T-Bone Walker.[13] Jefferson taught Walker the basics of blues guitar, in exchange for Walker's occasional services as a guide.in December 1925 or January 1926, he was taken to Chicago, Illinois, to record his first tracks. Uncharacteristically, Jefferson's first two recordings from this session were gospel songs ("I Want to be like Jesus in my Heart" and "All I Want is that Pure Religion"), released under the name Deacon L. J. Bates. This led to a second recording session in March 1926. His first releases under his own name, "Booster Blues" and "Dry Southern Blues," were hits; this led to the release of the other two songs from that session, "Got the Blues" and "Long Lonesome Blues," which became a runaway success, with sales in six figures. He recorded about 100 tracks between 1926 and 1929; 43 records were issued.Jefferson is known to have done an unusual amount of traveling for the time in the American South, which is reflected in the difficulty of pigeonholing his music into one regional category.Jefferson had an intricate and fast style of guitar playing and a particularly high-pitched voice. He was a founder of the Texas blues sound and an important influence on other blues singers and guitarists, including Lead Belly and Lightnin' Hopkins.
He sticks to no musical conventions, varying his riffs and rhythm and singing complex and expressive lyrics in a manner exceptional at the time for a "simple country blues singer."Jefferson was reputedly unhappy with his royalties (although Williams said that Jefferson had a bank account containing as much as $1500). In 1927, when Williams moved to OKeh Records, he took Jefferson with him, and OKeh quickly recorded and released Jefferson's "Matchbox Blues" backed with "Black Snake Moan," which was to be his only OKeh recording, probably because of contractual obligations with Paramount. Jefferson's two songs released on Okeh have considerably better sound quality than on his Paramount records at the time. When he had returned to Paramount a few months later, "Matchbox Blues" had already become such a hit that Paramount re-recorded and released two new versions, under producer Arthur Laibly.In 1927, Jefferson recorded another of his now classic songs, the haunting "See That My Grave Is Kept Clean" (once again using the pseudonym Deacon L. J. Bates) along with two other uncharacteristically spiritual songs, "He Arose from the Dead" and "Where Shall I Be." Of the three, "See That My Grave Is Kept Clean" became such a big hit that it was re-recorded and re-released in 1928. Jefferson died in Chicago in December 1929. The cause of death is unknown, and though rumors swirled that a jealous lover poisoned his coffee, a more likely scenario is that he died due to a heart attack after being disoriented during a snowstorm (another scenario is that he froze to death). The book "Tolbert's Texas" claims that he was killed while being robbed of a large royalty cash payment by a guide taking him to Union Station to catch a train home to Texas. Paramount Records paid for the return of his body to Texas by train, accompanied by pianist Will Ezell. Jefferson was buried at Wortham Negro Cemetery (now Wortham Black Cemetery). Far from his grave being kept clean, it was unmarked until 1967, when a Texas Historical Marker was erected in the general area of his plot, the precise location being unknown. By 1996, the cemetery and marker were in poor condition, but a new granite headstone was erected in 1997. In 2007 the cemetery's name was changed to Blind Lemon Memorial Cemetery . Blind Lemon Jefferson is the featured musician on a State of Texas license plate. B. B. King has always maintained that Jefferson was a huge influence on his singing and guitar playing. The Rock and Roll Hall of Fame listed one song by Blind Lemon Jefferson of the 500 songs that shaped rock and roll.