Big Jack Johnson (born July 30, 1940, Lambert, Mississippi, United States.Johnson's father was a local musician playing both blues and country ditties at local functions. At the age of 13, Johnson junior was playing guitar with his father's band. By 18, Johnson followed B.B. King's electrified lead. His break came when he sat in with Frank Frost and Sam Carr at the Savoy Theatre in Clarksdale, Mississippi. The trio were seldom apart for the next 15 years, recording for Phillips International and Jewel Records with Frost as the bandleader.
In 1979, Rockin' the Juke Joint Down, was released (as by the Jelly Roll Kings) and marked Johnson's first recordings as a singer. Johnson's subsequent 1987 album for Earwig Records, The Oil Man, included his recording of "Catfish Blues." He has recorded both solo and as a member of the blues groups the Jelly Roll Kings and Big Jack Johnson and the Oilers (with poet/musician Dick Lourie).He performed and wrote "Jack's Blues" and performed "Catfish Medley" with Samuel L. Jackson on the Black Snake Moan, film soundtrack,"Daddy, When Is Mama Comin Home?" his ambitious 1990 set for Earwig, found him tackling issues as varied as AIDS, wife abuse, and Chinese blues musicians.
CeDell Davis (born Ellis Davis, 9 June 1927, Helena, Arkansas) is a blues guitarist and singer.Davis is most notable for his distinctive style of guitar playing. Davis plays guitar using a table knife in his fretting hand in a manner similar to slide guitar, resulting in a welter of metal-stress harmonic transients and a singular tonal plasticity. He uses this style out of necessity. When he was 10, he suffered from severe polio which left him little control over his left hand and restricted use of his right. He had been playing guitar prior to his polio and decided to continue in spite of his handicap, and developed his knife method as the only way he could come up with of still playing guitar.
Davis was born in Helena, where his family worked on a local plantation. He enjoyed music from a young age, playing harmonica and guitar with his childhood friends.Once he sufficiently mastered his variation on slide guitar playing, Davis began playing in various nightclubs across the Mississippi Delta area. He played with Robert Nighthawk for a ten year period from 1953 to 1963. While playing in a club in 1957, a police raid caused the crowd to stampede over Davis. Both of his legs were broken in this incident and he was forced to use a wheelchair from then on. The hardships resulting from his physical handicaps were a major influence in his lyrics and style of blues playing.
In recent times, Davis' music has been released by the Fat Possum Records label to much critical acclaim. His 1994 album, produced by Robert Palmer, Feel Like Doin' Something Wrong, received a 9.0 from Pitchfork Media who called it "timeless."
The Best Of CeDell Davis (1995) was also released, with help from Col. Bruce Hampton and The Aquarium Rescue Unit. The Horror of It All followed in 1998. Davis took time away from recording after these releases, and spent the next four years writing and performing. When he returned to the recording studio, he drafted musicians like R.E.M.'s Peter Buck, R.E.M. sideman Scott McCaughey, The Screaming Trees' Barrett Martin, and soul keyboardist Alex Veley. The final results, When Lightnin' Struck the Pine, was released in 2002.
